SciELO - Scientific Electronic Library Online

 
vol.73 issue231The musical subversion of Erik Satie through cynical thinking author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

Related links

  • On index processCited by Google
  • Have no similar articlesSimilars in SciELO
  • On index processSimilars in Google

Share


Revista musical chilena

Print version ISSN 0716-2790

Abstract

MADOERY, Diego. Charly García: between rock and classical-romantic harmony. Rev. music. chil. [online]. 2019, vol.73, n.231, pp.120-136. ISSN 0716-2790.  http://dx.doi.org/10.4067/S0716-27902019000100120.

The present work is part of a wider research that was proposed to detect, describe and interpret the stylistic features of the songs of argentine rock musician Charly García, in his first period. This stage, in which he recorded most of his compositions, cover from the first album of the group Sui Géneris, Vida (1972/3) to Say no more of 1996. In this research it was observed that a set of melodic-harmonic distinctive characteristic of the rock traverse its work in different ways. In this publication I show how Charly's concern to be considered a rock musician is one of the impulses of his style and it is manifested in the combination between the properly rock's features and those of the harmony of ‘common practice’.

Keywords : Charly García; analysis; tune; harmony.

        · abstract in Spanish     · text in Spanish     · Spanish ( pdf )