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 issue57CHILDHOOD MEMORY, GENDER AND DICTATORSHIP. MARÍA LAURA FERNÁNDEZ BERRO, LAURA ALCOBA AND LEOPOLDO BRIZUELACLAIRVOYANCE AND POETIC SPHERE IN PROSA DEL OTOÑO EN GERONA. DESFIGURARON, MIGRATION AND MOURNING IN THE POETRY OF ROBERTO BOLAÑO author indexsubject indexarticles search
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Acta literaria

On-line version ISSN 0717-6848

Abstract

HERNANDEZ, Biviana. NOTES FOR A POETICS OF APPROPIATION: DONDE COMIENZA EL AIRE BY SOLEDAD FARIÑA. Acta lit. [online]. 2018, n.57, pp.93-118. ISSN 0717-6848.  http://dx.doi.org/10.4067/S0717-68482018000200093.

Abstract: The present article analyses the procedure of rewriting as an appropiation/ intervention resource in Donde comienza el aire by Soledad Fariña. In this book, the poet self-consciously rewrites a diverse selection of 20th century literary and artistic production following different appropriation schemes. From the textual decomposition and recomposition of the originals, to their syntactic and symbolic transformation, the poems offer a metapoetic reflection about their very condition of rewritten texts. Fariña intervenes the original sources in order to establish a dialogue with the tradition of Western literature, questioning its modern categories of creation, originality and authorship.

Keywords : Rewritting; appropiation; intervention; conceptual art; contemporary Chilean poetry.

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