SciELO - Scientific Electronic Library Online

 
 número66DESDE LAS VOCES DE LA TRADICIÓN AL ENCUENTRO CON LA PROPIA VOZ: EL VIAJE DE LA ESCRITURA POÉTICA DE ROSARIO CASTELLANOS índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

Compartir


Revista chilena de literatura

versión On-line ISSN 0718-2295

Resumen

THOMAS DUBLE, Eduardo. EL JUEGO Y EL RITO COMO FUNDAMENTOS DE LA ESTRUCTURA DRAMÁTICA EN TRES OBRAS DE EGON WOLFF: LOS INVASORES, FLORES DE PAPEL Y CICATRICES. Rev. chil. lit. [online]. 2005, n.66, pp.5-27. ISSN 0718-2295.  http://dx.doi.org/10.4067/S0718-22952005000100001.

Inside the dramatic world of Egon Wolf, social playacting establishes itself as a major theme. Its multiple and diverse modes of representation in his extensive dramaturgy could be summarized in two, appearing with different mances and combination throughout his work. On the one hand, they become the fundament of the ritual conventions of the commonplace acts of the characters, with the function of dissembling and self protection in front of the social reality which is perceived as hostile. In this case, playacting is a resource intended to neutralize and manipulate the other for personal benefit through masking strategies; but also the ludic element appears with creative and libertarian characteristics that are the character’s own, as an option for authenticity

        · resumen en Español     · texto en Español

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons