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Universum (Talca)

versión On-line ISSN 0718-2376

Resumen

RODRIGUEZ, Mario. OÍR Y NO LEER A BOLAÑO "LA ENTONACIÓN ORAL DE LA PROSA". Universum [online]. 2009, vol.24, n.2, pp.154-171. ISSN 0718-2376.  http://dx.doi.org/10.4067/S0718-23762009000200009.

This research suggests that spoken language, the oral mode used to narrate Los detectives salvajes, with the strategies pertaining naturally to orality such as ellipsis, innuendo and anacoluthon, produces the basic structural mechanisms of the novel and helps to make it Bolaño’s best work. The novel can be imagined as a laboratory in which a dual experiment is being conducted: the listening to a story that can be written/ the writing of a story that can be recited. The above proposition de-ritualizes the act of reading. The experiment is based on the fact that the simulation of oral production in the writing, when it functions together with what is inherent to it (major innuendoes between the speaker and the listener) produces a tension that is never dispelled, which captures the reader, who has occupied the place of the listener, with multiple conjectures that are impossible to resolve. The most important of these refers to evil. Are its origins contingent or causal? Thus it is that the riddle and its inseparable partner, the sphinx (Cesárea Tinajero, in this case) provide the novel with one of its key dimensions, that of a great mediation on evil.

Palabras clave : Spoken Language; Oral Story; Conjecture; Enigma; Experience of Evil; Deritualizes.

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