SciELO - Scientific Electronic Library Online

 
vol.27 número38Evolución del género de las miniseries en la televisión española contemporánea (1980-2012)La representación en la ficción televisiva del antagonista político en la dictadura chilena índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • No hay articulos similaresSimilares en SciELO
  • En proceso de indezaciónSimilares en Google

Compartir


Comunicación y medios

versión impresa ISSN 0716-3991versión On-line ISSN 0719-1529

Resumen

GIONCO, Pamela. Post-classicism and intermediality in Galavant (ABC, 2015-2016). Comun. medios [online]. 2018, vol.27, n.38, pp.52-65. ISSN 0716-3991.  http://dx.doi.org/10.5354/0719-1529.2018.48586.

Galavant (2015-2016) is a musical comedy television show, created by Dan Fogelman and broadcasted on ABC as a midseason replacement of Once Upon a Time (2011-). The self-references to the same show, the allusions and quotes to other ones, the crisis of the models, the anachronisms and reversions of traditional topics are the narrative ways that build this fiction and allow us to think of it as post-classical (Bordwell, Elsaesser, Carroll). Likewise, these strategies are settled by intermediate relationships that refers to a common cultural heritage, recognizable by the audience. We propose to analyze the symbolic universe that is developed in the story of this program, while we review the new forms of classicism that the narration can assume in the show, presenting stylistic strategies that we believe have provoked the enjoyment and commitment on the part of the audience.

Palabras clave : Galavant; post-clasicism; intermediality; musical; medieval.

        · resumen en Español     · texto en Español     · Español ( pdf )