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 número58LA ACADEMIA DE MINAS DE POTOSÍ. LA CORTA TRAYECTORIA DE UNA INSTITUCIÓN MINERA, 1779-1782“AL PUEBLO EN PRIMER LUGAR, LE DEBO ESTA DEVOCIÓN; YO LOS QUIERO SALUDAR, CON TODA MI HERMANACIÓN”: BAILES CHINOS EN LA VAGUADA DE LA RADIO LIMACHE, 1966-1969 índice de autoresíndice de materiabúsqueda de artículos
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Diálogo andino

versión On-line ISSN 0719-2681

Resumen

SANFUENTES, Olaya. A BULL TABLADO IN BELÉN AND A TAURINE SCENE IN PACHAMA. FORMING GOOD CHRISTIANS AND INDIGENOUS APPROPIATION OF EVANGELIZATION ON ANDEAN MURAL PAINTING. Diálogo Andino [online]. 2019, n.58, pp.43-58. ISSN 0719-2681.  http://dx.doi.org/10.4067/S0719-26812019000100043.

The following article seeks, departing from a genre scene taken from the mural painting of the church of Pachama, to demonstrate that, despite its secular nature, it shares the general spirit of the iconographic program. The rest of the walls are dedicated to scenes and characters which are typical from Christian iconography, while the scene we are interested in is taurine. We believe that bullfighting was a troubled dimension, since both secular and ecclesiastical authorities thought it was a cruel spectacle which brought people to hotly contested moral practices. In this church, which was part of the so called Silver Route, the genre scene is part of a whole strategy aiming the formation of good Christians. This phenomena can be temporarily placed in the context of eighteenth century missionary efforts, specially the Limense Concilio of 1772, fighting against vices and bad habits.

Palabras clave : Southern Andean mural painting; Andean bullfighting; Altos de Arica; Silver Route; evangelization.

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